FUTURE PERFORMANCES
LATEST REVIEWS
«El Leicester del canario Airam Hernández, quien ha debutado el rol, mostró la elegancia de un fraseo medido, de cuidada articulación y timbre cálido. El color es idóneo para este tipo de papeles. Su tendencia a cierto languidecimiento expresivo le va de maravilla a este rol tan complejo y poco vistoso. Actuó con solvencia y demostró que la escuela de canto canario sigue en plena forma.»
«Airam Hernandez è un tenore solido e allo stesso capace di flettere la sua voce per tornire le melodie belliniane… Gli siamo comunque grati di non aver cantato – a differenza di tanti suoi predecessori, anche celeberrimi – la sua aria d’entrata “Meco all’altar di Venere” come se fosse un’esibizione muscolare o un proclama militare, mentre in realtà è un sogno d’amore.»
«Airam Hernández showed clarity of timbre and nuance of phrasing, bringing control to the traditional impetuosity attributed to Pollione, avoiding dramatic excess and delivering a musically correct portrayal.»
«Airam Hernández (Ismaele) aportó una capa adicional de emoción a la producción, destacando el conflicto entre el amor personal y las lealtades nacionales. El tenor tinerfeño realizó una interpretación vibrante y apasionada, y, desde su primera entrada, impresionó con su voz de tenor lírico, que se desplegó con claridad y fuerza.»
«La révélation vient du Pollione d’Airam Hernandez, qui chante avec une flamme claire, un style sans faille et une éloquence capitale ici.»
ABOUT
Airam Hernández is regarded as one of the outstanding tenors of his generation. His distinctive timbre and refined musicality have earned him recognition in the opera world.
The 2024/2025 season promises an array of exciting debuts. He will make his long-awaited debut at Teatro Real de Madrid as Leicester in Donizetti’s masterpiece MARIA STUARDA, followed by his first appearance as Carlo VII in Verdi’s GIOVANNA D’ARCO at Ópera de Tenerife. Hernández will also venture into Wagnerian repertoire for the first time, debuting as Erik in DER FLIEGENDE HOLLÄNDER at Théâtre de Capitole in Toulouse.
Further highlights include his debut in Mahler’s DAS LIED VON DER ERDE with Stuttgart Ballet and his portrayal of Azaël in Debussy’s L’ENFANT PRODIGUE with the Orquesta Sinfónica de Tenerife. He will also return to perform the tenor parts in Beethoven’s SYMPHONY NO. 9 and Mozart’s REQUIEM IN D minor, with the Real Orquesta Sinfónica de Sevilla and Orquesta Filarmónica de Gran Canaria, respectively.
